Beijing Dance Theatre. Haze - universal fog. Ladies and gentlemen. What associations do we have at

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Beijing Dance Theatre. Haze - universal fog. Ladies and gentlemen. What associations do we have at the mention of the word China? The great tradition and the Great Wall of China, the Cultural Revolution and ancient culture, Chairman Mao and artists, thinkers, poets, philosophers, traditional theater and ocean crafts and fakes that swept the world, Chinese cuisine and athletes musicians - winners of various competitions, the competition ... associative array can be multiplied to infinity, but the word ballet fbay in it probably will not meet. For me, it was not until yesterday ... In our country with tours granted Beijing Dance Theater - Beijing Dance Theatre with a performance of "Haze". Name can be translated into Russian as haze, fog, haze. And all the transfers comply with the essence of what is happening on stage. Photos provided fbay by the organizers of the project will pay due respects history. Among the diverse fbay cultural life of Beijing's opening in December of 2008 with the first new theater in China contemporary ballet troupe has not gone unnoticed. A new star in the constellation of the capital sparked three people. Choreographer and artistic director Wang Yuanyuan, lighting designer Han Jiang and art director Tan Shaoyuan. Wang Yuanyuan - one of the most exciting choreographers in Chinese modern ballet. She studied dance in Beijing, and later - at the California Academy. Since 1998 she worked as choreographer for the National Ballet of China and the Royal Danish Ballet. Its international recognition fbay is confirmed by numerous awards, prizes, winning the competition and successful productions both in China and in many other countries. One of the most famous performances created fbay "triumvirate" - "Haze". Attempt fbay to comprehend the economic crisis and impending environmental disaster. The theme is very topical in China declared quite boring words, art, seemingly having no relation. But human life - alas ... uncountable number destinies mutilated, warped, ruined by this powerful traumatic weapons, chargeable by humanity. About it - show a warning, terrible philosophical parable about the fate and destiny. The lights go out, the curtain opens. And right in the bright and festive audience becomes anxious. On stage - a dozen girls and boys. Skinny, frozen. Low hanging yellow lights uncomfortable shine through the thick fog. Sounds sacred fbay music. The third symphony fbay by Henryk Goretskogo ("Symphony fbay of Lamentations" in 1976 for soprano and orchestra). At its creation the composer used texts, full of grief: mourning the 15th century, writing on the wall in the Gestapo fbay prison, written by a girl in Zakopane, and the words of the Silesian folk song about a mother who lost her son. Begins to move. A strange combination for feline soft movements, saturated elements Wushu and uncertainty. Through modern futuristic dystopia, clearly focused on the cosmopolitan audience, emerges Chinese cultural basis. Not flashy, not pedaliruetsya, but is present fbay in every movement. This kind of hidden items around that comes to us from Asia. Even in the West-oriented. In the books of Murakami, movies Kim Ki-Duk, yesterday's ballet. And this shift in the perception of the usual catchy, does not let go and is remembered for a long time. Spektakel continues. Yellow haze filled with flying bodies. Movement emphasized asynchronous. Every takeoff is completed fall. But before we did not heard the sound of falling bodies. The stage floor is covered with a thick layer of pruzhinyaschegomateriala. Wonderful staging course, depriving dancers even hope for stability. Bodies fall like balls in a silent film, continuing to bounce and tremble. All fragile and ephemeral in this world. Yellow prison fbay ragged light breaking through fbay the fog, snatches motionless face. Music begins fbay to pulsate, finds a rhythm and nerve. Gorecki come to replace electronic samples composer Biosphere. Freezing sound tracks Geir Jenssen, Norwegian ambient musician, organically absorbed into the fabric of the ballet. A tiny cogs of the universe on a cold stage, bodiless shadows, silhouettes are still hoping to find peace, to escape. But in vain. Through the mist suddenly emerges a huge backdrop scene. Yellow, smooth, indifferent. In this "Wailing Wall" does not provide slots for cards. No destination, no one to complain to, no one to ask for forgiveness. And movements are uncertain. People turn into robots, dolls, freeze in awkward postures