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Images of the night: a learning workshop night - IV February fluo night 22, 2014 | Filed under: fluo night Blog, photographs, photographs of the stars and tagged with: Carmen Munoz, Eli Perez, night photography, photographs of the protagonists, Jordi Prat Mollet del Vallès, Monica Ferrer, Nuria meadow, night photography workshop, fluo night photography workshop
In this last article of the series will present the most creative workshop, where attendees played with all the elements that teaches advantage of a brief break for dinner and something with your own imagination. Ghosts and apparitions of the night
The ghostly effects caused by long exposure and moving people fluo night inside the picture frame have some secrets that would be good to remember: the camera captures the light, so when you see a sharper want people, the more time we of staying still and the light should reflect our clothes. Notice how the clothing is white versus dark pants, as some images are more translucent than others!
Moreover, fluo night we can also use other light sources supporting and not rely only on the ambient light. With one or several times external flash, for example, can create different fluo night appearances that will not look much better fluo night than the previous ones:
Painting with light mainly requires a lot of practice. There are many games, as many people are able to imagine them. Recommendation to the different participants recordaríem a good preparation for the final image is always necessary: what do you get? Think first within and then technique and practice, practice and still practiced.
Other little things to remember: cover flashlight when you need it so you will not track unnecessary light in the image, use a remote trigger, use a flashlight to check the camera settings always (better fluo night if you ' No hang a neck to keep it between the pockets, if you do not find black night) and be creative!
Finally we leave you with a series of images fluo night from the last part of the workshop, where recorríem the streets of Mollet and people pick the images they like, with or without a tripod, using the techniques companies or simply letting themselves to go.
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